Let the Empire Down

Description

In her second book, Alexandra Oliver takes us on a journey of escape from the suburbs of Canada to Glasgow, Scotland. Training her eye on the localson the streets, by rivers, in museums, on playgrounds, in their own homes, in the ill-starred town of LockerbieOliver travels back into her past while reflecting on issues of exile, memory and identity.PRAISE FORMEETING THE TORMENTORS IN SAFEWAYA Canadian Poetry Book of the Year,The National PostWinner of the 2014 Pat Lowther Memorial AwardAn incredible feat of vision and voice technically, nothing is out of Olivers grasp. Her go-to iambic pentameter can swallow anything in its path.Meeting the Tormentors in Safewayshould go a long way toward establishing Oliver as one of the countrys best stanza makers, with a fluidity and ambition aspiring to Dylan Thomas or Yeats When she succeeds, she succeeds entirely.Michael Lista, On Poetry,The National PostAlexandra Oliver has many arrows in her quiverall of them sharpened to a fine point. In satirical work like The Classics Lesson, she is mordantly funny. Yet she can also treat her subjects quietly and with touching understatement, as in Chinese Food with Gavra, Aged Three. Ms. Oliver is, moreover, technically resourceful in the best sense. For example, in Doug Hill the verbal repetitions of the pantoum form perfectly suit the obsessive voice of the romantically disappointed protagonist. This is an excellent and entertaining collection.Timothy Steele, author ofSapphics against Anger and Other PoemsIt is sometimes argued that our disjunctive times need to be mirrored by disjunctive forms: only aesthetic disorder can respond to our experience. Such a simplicity is disproven by Alexandra OliversMeeting the Tormentors in Safeway, in which disjunctions of many kinds (such as the one in her title) are brought to order by the poets refining passion and corrosive wit. Here are brilliantly contemporary poems in traditional forms, the work of a stunning new voice.Charles Martin, author ofUnwrittenAlexandra Oliver is in full command of a saber wit and impeccable ear. With these she tackles nothing less than the unsettling hazards, absurd encounters, and oddball ironies of our modern predicament to make poems that bite and entertain Olivers considerable formal skills are always employed to prod and direct poetrys energies to keep pace with the contemporary world. Lucky the reader along for the ride.Jeanne Marie Beaumont, author ofPlacebo EffectsOne of the most exciting things about her work is the way she takes a different route from the in-your-face newness and hybridity our market now demands.The Walrus